Content Analysis of Ibn Zomroc Al- Andalusi’s Occasional Poems
Muhammad Ali
Azarshab
Tehran University
author
afsaneh
ghasempour
student-Tehran University
author
Muhammad
Dezfouli
Tehran University
author
Ali Bagher
Tahernia
Tehran University
author
text
article
2017
per
Ibn Zomroc, the poet and minister of Bani-Alahmar in Andalusia, created several occasional poems in the prophets of Prophet Muhammad, the Messenger of Allah. Since, these occasional poems were recited at Prophet Muhammad’s governmental celebration, they were called Occasional poems (Moledieh). Analyzing the occasional poems shows that Ibn Zomroc puts the certain topics and structures that is repeated in all the occasional poems. In these occasional poems, in addition to lyrical preamble, the poet utilizes two transitional-verse (Takhallos). The first transitional-verse continues from preamble to Prophet’s praise, and the second one from Prophet’s to the praise of the Governor (Amir) holding the celebration of Prophet’s nativity. In the first transitional verse, the poet explains the camel and the caravans’ pilgrimage to Mecca to transmit the poem to its main topic. In the main part of the poem, the poet targets: Muhammadian’s truth, Prophet Muhammad’s eternity, Muhammad as pioneer Messenger, the herald of Divine books of His Arrival, His miracles and intercession. In the transitional verse, praising the Governor (Amir), the poet centralizes the word “Allah” and bonds the praise of Prophet Muhammad and Amir. The recurrence of topics, accomplishment techniques and the pre-determined order of the topics are regarded as the major weak points in the structure of these occasional poems by Ebne Zomroc.
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
7
36
https://jalc.sbu.ac.ir/article_98287_add20b423f53224e1731a0e9208f3ea6.pdf
( The Study of Social Themes of Saq Al Bamboo (The Bamboo Stalk) (The Kuwaiti writer Saud AlSanausi
Ensieh
Khazali
Alzhara University
author
Batoul
Bagherpour Valashani
Alzhara University
author
text
article
2017
per
The literature of every society is an effective factor in reflecting social realities and correcting the weaknesses of that society. As a part of literature, the novel, and in particular socialist realism novels, can better convey its audience in acquiring an image similar to what they see and feel. The "Bamboo" is a social novel that is realistic in describing the Kuwaiti community. Therefore, in this research, the descriptive-analytical method has been tried to extract and review the most important social themes discussed in the book, such as welfare, class tension, race importance, class discriminative, social control, customs and the status of Asian workers. The novel represents a multifaceted community that contradicts some of its aspects with others. A Muslim community with values that Islam does not accept; the customs and traditions of this society are collectively meaningful, but within it there is a lot of class tension. In the end, the author tries to describe the facts from a different perspective (someone outside the community) to the audience to look at different issues and to present a solution to the situation by introducing the most indubitable Islamic principles and emphasizing the principle of tolerance.
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
37
67
https://jalc.sbu.ac.ir/article_98285_92db32c1c9ed28a92a2ec188bfdf8a98.pdf
Influence of The Context of Ibn-e Arandas’Riyadh Verse From The Quran Based on Intertextual Theory
Mohammad Ebrahim
Khalifeh Shooshtari
Professor of Arabic Language and Literature ، Shahid Beheshti University
author
ali
sheykhorraeis
ph.d. student -Teacher of University
author
text
article
2017
per
Contradiction or intertextuality is one of the most commonly used terms in the field of research and studies in language and literature. According to this theory, no text is independent and each text is a combination of various texts that consciously or unconsciously exploit each other's literary and intellectual sources. Meanwhile, the Holy Quran is the most valuable and influential piece of poetry and literature used by its poets. Ibn-e Arandas Helli is a poet and literary of the ninth century AH. He was delighted and inspired by Quran and the family of revelation and his poems are full of verses and Quranic themes and its noble notions, especially his famous glowing ode, which is in the praise of Abu Abdullah Al-Hussein (PBUH). The present research is descriptive-analytic and therefore, after presenting theoretical discussions, the intertextuality operations of this poem with the word of revelation have been analyzed. The findings of this study indicate that this impact was more of a negative and partial negation
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
68
96
https://jalc.sbu.ac.ir/article_98286_1e8e6efa5a7345a9a4e4c15b28519883.pdf
A Research on Narrative Structural Patterns of Maqamat al-Hariri According to Tzutan Tudorov Theory
ali
safayi sangary
Department of Persian Language and Literature/Guilan University
author
fatemeh
taghinezhad
Department of Persian Language and Literature/Guilan University
author
text
article
2017
per
Maqamat al-Hariri is one of the narrative books that comprise fifty maqam, and Abolqasem Hariri has written it in Arabic between 495 and 504 AH. The stories of this book have repetitive narrative patterns. A single plot or pattern is the basis of all these stories, and the rest of the patterns are based on it. Todorov is a structuralist narrator who tries to write a command for all narratives. He has encoded the subjects and verbs, and adjectives into a simple system of symbols that can reproduce the plot of each story using it. According to the unitary pattern that exists in the Maqamat al-Hariri , attributes and verbs and characters or adjectives can substitute each other and maintain a single base structure with a different surface structure in different stories. You can do structural analysis by highlighting a particular action or feature in the tales. This paper shows how the infrastructure of the anecdotes in Maqamat al-Hariri can be adapted, evaluated using the narrative command and using the framework of Tzutan Tudorov's propositions
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
97
122
https://jalc.sbu.ac.ir/article_98288_fb2e73383b4af401f02790a0563bc025.pdf
Elegy poam of Abu al-Bagha al-Rondy in the Rhetorical Critique
ali
ghahramani
azarbaijan shahid madani univwesity
author
seddigeh
hosseini
azarbaijan shahid madani univwesity
author
text
article
2017
per
Rhetorical criticism is the conscious use of language in order to persuade the audience. This approach employs new structuralist and post-structural literary critiques and psychology, communications, sociology, and aesthetics. From this point of view, literary work attempts to persuade the audience with his words, and in this way he uses the tools of rhetoric and aesthetics. In this research, the Rony’s poem, which is a mourning for Andalusia, is examined from a rhetorical critique with an analytical descriptive method. In its content and form, the poet employs literary and rhetorical instruments to persuade and engage the audience to move him from being inactive and listening to participation and dynamism. In order to achieve this, Abu al-Balaqa uses diverse, verbal, rhetorical interpretations and rhetorical techniques to put the audience in a position to be part of his poetic experience
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
123
152
https://jalc.sbu.ac.ir/article_98282_972496a14396e4af4ebb3fa78cc673bf.pdf
(Privatization Language and the Deviating of Automatic Language (Looking at the poetry of Saadi Yousif
Faroogh
Nemati
Payame Noor University
author
Reza
Kiani
Razi University
author
Ali
Salimi
Razi University
author
text
article
2017
per
Privatization is one of the ways of violating the language's autonomy that affects poetry prominence. This process, in the contemporary period, has become very important, as the use of its various types in poetry poems has given them a distinctive style and created delays in explicit audience reception. In such a space that the emotions and excitement of the poets restrict the visibility of readers without any limitations, the poetry of contemporary Iraqi poet Saadi Yousef has not become a fixed language principle as a manifestation of transformation and has become an arena for the regeneration. As the shift in poetry levels and the removal of common standards, readers' attention has attracted to personalization in the poetry of the modern poet. The present research, with a critical look at the linguistic outputs of Saadi Yusuf's poetry, answers the question of how the poet used the methods to separate the language from the audience's expected levels and shift it to his or her personal styles. Findings of the research indicate that Saadi Yusuf, by presenting unusual combination arrays and semantic changes in benefiting from the evolution of vocabulary writing methods, has mistyped the habit of ordinary words and enriched the scope of his poems from other creations. In such a way that by privatizing the language, the burden of the individual's emotions has been put on the audiences and deliberately has delayed in their perception of the language.
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
153
182
https://jalc.sbu.ac.ir/article_98283_9c65a3b50da15cc5715d7fc02450e8a0.pdf
The Study of Mythological Intertextual Relations in The Poems of Jabra Ibrahim Jabra (Based on the mythology of Tamoz
Ezzat
Molla Ebrahimi
Tehran University
author
Soqra
Rahimi
Kharazmi University
author
text
article
2017
per
The effect and presence of myths in texts are considered as one of the forms of intertextuality. The myth is an intertextual nature and is defined as a repeating pattern .Jabra Ibrahim Jabra, a prominent Palestinian poet, has used myths to express issues of the contemporary world, especially the occupation of Palestine and the fate of his nation. And with the call of the myth of "Tomas" (myth of death and resurrection) in his poems, he has given it a wide dimension in a variety of forms and themes.The present research seeks to answer the fundamental question of how Jabra uses Tamoo's mythology to express its meanings, especially the Palestine issue? The hypothesis of the research is based on the assertion that Jabra has used the mythological intertextuality in its poetic text to reflect its new meanings and deepen it. After expressing the introduction and definition of intertextiality, the writers have attempted, in the framework of this theory, to provide a descriptive analytical critique of the explanation and interpretation of the intertextual relations of Jabra poetry with the mythology of Tamoz. One of the most important results of the research is the presence of this myth in Jabra's poetry, the understanding of the theme of "Death and Resurrection Again" of myth and its parallel presence in the text of Jabra's poetry, innovation and a new look, and the recreation of myth, combined with myths and historical, literary and cultural concepts for Creating new meanings and transferring the truth of society through the use of myth.
Arabic Literature Bulletin
Shahid Beheshti University
2588-6835
7
v.
2
no.
2017
183
212
https://jalc.sbu.ac.ir/article_98284_e2b8e4048d7c2aa9de944b268e53438a.pdf