Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 Content Analysis of Ibn Zomroc Al- Andalusi’s Occasional Poems Content Analysis of Ibn Zomroc Al- Andalusi’s Occasional Poems 7 36 98287 FA Muhammad Ali Azarshab Tehran University Afsaneh Ghasempour student-Tehran University Muhammad Dezfouli Tehran University Ali Bagher Tahernia Tehran University Journal Article 2017 01 29 Ibn Zomroc, the poet and minister of Bani-Alahmar in Andalusia, created several occasional poems in the prophets of Prophet Muhammad, the Messenger of Allah. Since, these occasional poems were recited at Prophet Muhammad’s governmental celebration, they were called Occasional poems (Moledieh). Analyzing the occasional poems shows that Ibn Zomroc puts the certain topics and structures that is repeated in all the occasional poems. In these occasional poems, in addition to lyrical preamble, the poet utilizes two transitional-verse (Takhallos). The first transitional-verse continues from preamble to Prophet’s praise, and the second one from Prophet’s to the praise of the Governor (Amir) holding the celebration of Prophet’s nativity. In the first transitional verse, the poet explains the camel and the caravans’ pilgrimage to Mecca to transmit the poem to its main topic. In the main part of the poem, the poet targets: Muhammadian’s truth, Prophet Muhammad’s eternity, Muhammad as pioneer Messenger, the herald of Divine books of His Arrival, His miracles and intercession. In the transitional verse, praising the Governor (Amir), the poet centralizes the word “Allah” and bonds the praise of Prophet Muhammad and Amir. The recurrence of topics, accomplishment techniques and the pre-determined order of the topics are regarded as the major weak points in the structure of these occasional poems by Ebne Zomroc. Ibn Zomroc, the poet and minister of Bani-Alahmar in Andalusia, created several occasional poems in the prophets of Prophet Muhammad, the Messenger of Allah. Since, these occasional poems were recited at Prophet Muhammad’s governmental celebration, they were called Occasional poems (Moledieh). Analyzing the occasional poems shows that Ibn Zomroc puts the certain topics and structures that is repeated in all the occasional poems. In these occasional poems, in addition to lyrical preamble, the poet utilizes two transitional-verse (Takhallos). The first transitional-verse continues from preamble to Prophet’s praise, and the second one from Prophet’s to the praise of the Governor (Amir) holding the celebration of Prophet’s nativity. In the first transitional verse, the poet explains the camel and the caravans’ pilgrimage to Mecca to transmit the poem to its main topic. In the main part of the poem, the poet targets: Muhammadian’s truth, Prophet Muhammad’s eternity, Muhammad as pioneer Messenger, the herald of Divine books of His Arrival, His miracles and intercession. In the transitional verse, praising the Governor (Amir), the poet centralizes the word “Allah” and bonds the praise of Prophet Muhammad and Amir. The recurrence of topics, accomplishment techniques and the pre-determined order of the topics are regarded as the major weak points in the structure of these occasional poems by Ebne Zomroc. https://jalc.sbu.ac.ir/article_98287_add20b423f53224e1731a0e9208f3ea6.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 ( The Study of Social Themes of Saq Al Bamboo (The Bamboo Stalk) (The Kuwaiti writer Saud AlSanausi ( The Study of Social Themes of Saq Al Bamboo (The Bamboo Stalk) (The Kuwaiti writer Saud AlSanausi 37 67 98285 FA Ensieh Khazali Alzhara University Batoul Bagherpour Valashani Alzhara University Journal Article 2017 02 22 The literature of every society is an effective factor in reflecting social realities and correcting the weaknesses of that society. As a part of literature, the novel, and in particular socialist realism novels, can better convey its audience in acquiring an image similar to what they see and feel. The "Bamboo" is a social novel that is realistic in describing the Kuwaiti community. Therefore, in this research, the descriptive-analytical method has been tried to extract and review the most important social themes discussed in the book, such as welfare, class tension, race importance, class discriminative, social control, customs and the status of Asian workers. The novel represents a multifaceted community that contradicts some of its aspects with others. A Muslim community with values that Islam does not accept; the customs and traditions of this society are collectively meaningful, but within it there is a lot of class tension. In the end, the author tries to describe the facts from a different perspective (someone outside the community) to the audience to look at different issues and to present a solution to the situation by introducing the most indubitable Islamic principles and emphasizing the principle of tolerance. The literature of every society is an effective factor in reflecting social realities and correcting the weaknesses of that society. As a part of literature, the novel, and in particular socialist realism novels, can better convey its audience in acquiring an image similar to what they see and feel. The "Bamboo" is a social novel that is realistic in describing the Kuwaiti community. Therefore, in this research, the descriptive-analytical method has been tried to extract and review the most important social themes discussed in the book, such as welfare, class tension, race importance, class discriminative, social control, customs and the status of Asian workers. The novel represents a multifaceted community that contradicts some of its aspects with others. A Muslim community with values that Islam does not accept; the customs and traditions of this society are collectively meaningful, but within it there is a lot of class tension. In the end, the author tries to describe the facts from a different perspective (someone outside the community) to the audience to look at different issues and to present a solution to the situation by introducing the most indubitable Islamic principles and emphasizing the principle of tolerance. https://jalc.sbu.ac.ir/article_98285_92db32c1c9ed28a92a2ec188bfdf8a98.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 Influence of The Context of Ibn-e Arandas’Riyadh Verse From The Quran Based on Intertextual Theory Influence of The Context of Ibn-e Arandas’Riyadh Verse From The Quran Based on Intertextual Theory 68 96 98286 FA Mohammad Ebrahim Khalifeh Shooshtari Professor of Arabic Language and Literature ، Shahid Beheshti University Ali Sheykhorraeis ph.d. student -Teacher of University Journal Article 2017 11 11  Contradiction or intertextuality is one of the most commonly used terms in the field of research and studies in language and literature. According to this theory, no text is independent and each text is a combination of various texts that consciously or unconsciously exploit each other's literary and intellectual sources. Meanwhile, the Holy Quran is the most valuable and influential piece of poetry and literature used by its poets. Ibn-e Arandas Helli is a poet and literary of the ninth century AH. He was delighted and inspired by Quran and the family of revelation and his poems are full of verses and Quranic themes and its noble notions, especially his famous glowing ode, which is in the praise of Abu Abdullah Al-Hussein (PBUH). The present research is descriptive-analytic and therefore, after presenting theoretical discussions, the intertextuality operations of this poem with the word of revelation have been analyzed. The findings of this study indicate that this impact was more of a negative and partial negation  Contradiction or intertextuality is one of the most commonly used terms in the field of research and studies in language and literature. According to this theory, no text is independent and each text is a combination of various texts that consciously or unconsciously exploit each other's literary and intellectual sources. Meanwhile, the Holy Quran is the most valuable and influential piece of poetry and literature used by its poets. Ibn-e Arandas Helli is a poet and literary of the ninth century AH. He was delighted and inspired by Quran and the family of revelation and his poems are full of verses and Quranic themes and its noble notions, especially his famous glowing ode, which is in the praise of Abu Abdullah Al-Hussein (PBUH). The present research is descriptive-analytic and therefore, after presenting theoretical discussions, the intertextuality operations of this poem with the word of revelation have been analyzed. The findings of this study indicate that this impact was more of a negative and partial negation https://jalc.sbu.ac.ir/article_98286_1e8e6efa5a7345a9a4e4c15b28519883.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 A Research on Narrative Structural Patterns of Maqamat al-Hariri According to Tzutan Tudorov Theory A Research on Narrative Structural Patterns of Maqamat al-Hariri According to Tzutan Tudorov Theory 97 122 98288 FA Ali Safayi Sangary Department of Persian Language and Literature/Guilan University Fatemeh Taghinezhad Department of Persian Language and Literature/Guilan University Journal Article 2017 01 01 Maqamat al-Hariri is one of the narrative books that comprise fifty maqam, and Abolqasem Hariri has written it in Arabic between 495 and 504 AH. The stories of this book have repetitive narrative patterns. A single plot or pattern is the basis of all these stories, and the rest of the patterns are based on it. Todorov is a structuralist narrator who tries to write a command for all narratives. He has encoded  the subjects and verbs, and adjectives into a simple system of symbols that can reproduce the plot of each story using it. According to the unitary pattern that exists in the Maqamat al-Hariri , attributes and verbs and characters or adjectives can substitute each other and maintain a single base structure with a different surface structure in different stories. You can do structural analysis by highlighting a particular action or feature in the tales. This paper shows how the infrastructure of the anecdotes in Maqamat al-Hariri can be adapted, evaluated using the narrative command and using the framework of Tzutan Tudorov's propositions Maqamat al-Hariri is one of the narrative books that comprise fifty maqam, and Abolqasem Hariri has written it in Arabic between 495 and 504 AH. The stories of this book have repetitive narrative patterns. A single plot or pattern is the basis of all these stories, and the rest of the patterns are based on it. Todorov is a structuralist narrator who tries to write a command for all narratives. He has encoded  the subjects and verbs, and adjectives into a simple system of symbols that can reproduce the plot of each story using it. According to the unitary pattern that exists in the Maqamat al-Hariri , attributes and verbs and characters or adjectives can substitute each other and maintain a single base structure with a different surface structure in different stories. You can do structural analysis by highlighting a particular action or feature in the tales. This paper shows how the infrastructure of the anecdotes in Maqamat al-Hariri can be adapted, evaluated using the narrative command and using the framework of Tzutan Tudorov's propositions https://jalc.sbu.ac.ir/article_98288_fb2e73383b4af401f02790a0563bc025.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 Elegy poam of Abu al-Bagha al-Rondy in the Rhetorical Critique Elegy poam of Abu al-Bagha al-Rondy in the Rhetorical Critique 123 152 98282 FA Ali Ghahramani azarbaijan shahid madani univwesity Seddigeh Hosseini azarbaijan shahid madani univwesity Journal Article 2017 04 26 Rhetorical criticism is the conscious use of language in order to persuade the audience. This approach employs new structuralist and post-structural literary critiques and psychology, communications, sociology, and aesthetics. From this point of view, literary work attempts to persuade the audience with his words, and in this way he uses the tools of rhetoric and aesthetics. In this research, the Rony’s poem, which is a mourning for Andalusia, is examined from a rhetorical critique with an analytical descriptive method. In its content and form, the poet employs literary and rhetorical instruments to persuade and engage the audience to move him from being inactive and listening to participation and dynamism. In order to achieve this, Abu al-Balaqa uses diverse, verbal, rhetorical interpretations and rhetorical techniques to put the audience in a position to be part of his poetic experience Rhetorical criticism is the conscious use of language in order to persuade the audience. This approach employs new structuralist and post-structural literary critiques and psychology, communications, sociology, and aesthetics. From this point of view, literary work attempts to persuade the audience with his words, and in this way he uses the tools of rhetoric and aesthetics. In this research, the Rony’s poem, which is a mourning for Andalusia, is examined from a rhetorical critique with an analytical descriptive method. In its content and form, the poet employs literary and rhetorical instruments to persuade and engage the audience to move him from being inactive and listening to participation and dynamism. In order to achieve this, Abu al-Balaqa uses diverse, verbal, rhetorical interpretations and rhetorical techniques to put the audience in a position to be part of his poetic experience https://jalc.sbu.ac.ir/article_98282_972496a14396e4af4ebb3fa78cc673bf.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 (Privatization Language and the Deviating of Automatic Language (Looking at the poetry of Saadi Yousif (Privatization Language and the Deviating of Automatic Language (Looking at the poetry of Saadi Yousif 153 182 98283 FA Faroogh Nemati Payame Noor University Reza Kiani Razi University Ali Salimi Razi University Journal Article 2015 05 18 Privatization is one of the ways of violating the language's autonomy that affects poetry prominence. This process, in the contemporary period, has become very important, as the use of its various types in poetry poems has given them a distinctive style and created delays in explicit audience reception. In such a space that the emotions and excitement of the poets restrict the visibility of readers without any limitations, the poetry of contemporary Iraqi poet Saadi Yousef has not become a fixed language principle as a manifestation of transformation and has become an arena for the regeneration. As the shift in poetry levels and the removal of common standards, readers' attention has attracted to personalization in the poetry of the modern poet. The present research, with a critical look at the linguistic outputs of Saadi Yusuf's poetry, answers the question of how the poet used the methods to separate the language from the audience's expected levels and shift it to his or her personal styles. Findings of the research indicate that Saadi Yusuf, by presenting unusual combination arrays and semantic changes in benefiting from the evolution of vocabulary writing methods, has mistyped the habit of ordinary words and enriched the scope of his poems from other creations. In such a way that by privatizing the language, the burden of the individual's emotions has been put on the audiences and deliberately has delayed in their perception of the language. Privatization is one of the ways of violating the language's autonomy that affects poetry prominence. This process, in the contemporary period, has become very important, as the use of its various types in poetry poems has given them a distinctive style and created delays in explicit audience reception. In such a space that the emotions and excitement of the poets restrict the visibility of readers without any limitations, the poetry of contemporary Iraqi poet Saadi Yousef has not become a fixed language principle as a manifestation of transformation and has become an arena for the regeneration. As the shift in poetry levels and the removal of common standards, readers' attention has attracted to personalization in the poetry of the modern poet. The present research, with a critical look at the linguistic outputs of Saadi Yusuf's poetry, answers the question of how the poet used the methods to separate the language from the audience's expected levels and shift it to his or her personal styles. Findings of the research indicate that Saadi Yusuf, by presenting unusual combination arrays and semantic changes in benefiting from the evolution of vocabulary writing methods, has mistyped the habit of ordinary words and enriched the scope of his poems from other creations. In such a way that by privatizing the language, the burden of the individual's emotions has been put on the audiences and deliberately has delayed in their perception of the language. https://jalc.sbu.ac.ir/article_98283_9c65a3b50da15cc5715d7fc02450e8a0.pdf

Shahid Beheshti University Arabic Literature Bulletin 2588-6835 7 2 2017 06 22 The Study of Mythological Intertextual Relations in The Poems of Jabra Ibrahim Jabra (Based on the mythology of Tamoz The Study of Mythological Intertextual Relations in The Poems of Jabra Ibrahim Jabra (Based on the mythology of Tamoz 183 212 98284 FA Ezzat Molla Ebrahimi Tehran University Soqra Rahimi Kharazmi University Journal Article 2016 04 16 The effect and presence of myths in texts are considered as one of the forms of intertextuality. The myth is an intertextual nature and is defined as a repeating pattern .Jabra Ibrahim Jabra, a prominent Palestinian poet, has used myths to express issues of the contemporary world, especially the occupation of Palestine and the fate of his nation. And with the call of the myth of "Tomas" (myth of death and resurrection) in his poems, he has given it a wide dimension in a variety of forms and themes.The present research seeks to answer the fundamental question of how Jabra uses Tamoo's mythology to express its meanings, especially the Palestine issue? The hypothesis of the research is based on the assertion that Jabra has used the mythological intertextuality in its poetic text to reflect its new meanings and deepen it. After expressing the introduction and definition of intertextiality, the writers have attempted, in the framework of this theory, to provide a descriptive analytical critique of the explanation and interpretation of the intertextual relations of Jabra poetry with the mythology of Tamoz. One of the most important results of the research is the presence of this myth in Jabra's poetry, the understanding of the theme of "Death and Resurrection Again" of myth and its parallel presence in the text of Jabra's poetry, innovation and a new look, and the recreation of myth, combined with myths and historical, literary and cultural concepts for Creating new meanings and transferring the truth of society through the use of myth. The effect and presence of myths in texts are considered as one of the forms of intertextuality. The myth is an intertextual nature and is defined as a repeating pattern .Jabra Ibrahim Jabra, a prominent Palestinian poet, has used myths to express issues of the contemporary world, especially the occupation of Palestine and the fate of his nation. And with the call of the myth of "Tomas" (myth of death and resurrection) in his poems, he has given it a wide dimension in a variety of forms and themes.The present research seeks to answer the fundamental question of how Jabra uses Tamoo's mythology to express its meanings, especially the Palestine issue? The hypothesis of the research is based on the assertion that Jabra has used the mythological intertextuality in its poetic text to reflect its new meanings and deepen it. After expressing the introduction and definition of intertextiality, the writers have attempted, in the framework of this theory, to provide a descriptive analytical critique of the explanation and interpretation of the intertextual relations of Jabra poetry with the mythology of Tamoz. One of the most important results of the research is the presence of this myth in Jabra's poetry, the understanding of the theme of "Death and Resurrection Again" of myth and its parallel presence in the text of Jabra's poetry, innovation and a new look, and the recreation of myth, combined with myths and historical, literary and cultural concepts for Creating new meanings and transferring the truth of society through the use of myth. https://jalc.sbu.ac.ir/article_98284_e2b8e4048d7c2aa9de944b268e53438a.pdf